Do your shot in your films look very flat, or washed out? Do your actors come across looking like they have a bad spray-on tan, or blue tinted skin? Have you ever wondered how some digital films have consistently beautiful colors, look beautifully sculpted, and almost look like they were shot on film stock? The secret to great-looking films is usually achieved by color grading.
Attending film festivals can be an awesome experience–seeing great new films on the big screen, walking the red carpet, and feeling the energy in the air can be inspirational to new and experienced filmmakers alike. But festivals serve another very important function for anyone in the industry–the networking opportunities at film festivals can make or break a career. In the fast-paced world of Hollywood, you never know who can help your career in the future. That fresh, new director you met at a small festival–she could turn out to be the next Scorsese, or the guy you were shooting the breeze with in the lobby could be the buyer for an international distributor or the casting director for one of the major studios. Film festivals may be the one opportunity you have to connect with the person that will give you your big break in the film industry.
It’s not enough in our fast paced, modern world to expect that your film will be watched solely on a television or PC. Studies report that 35% of all smartphone users and watching more video on mobile devices than they did last year, and over a third of viewers are watching longer form video content (videos longer than five minutes) on their phones, iPads, or other devices. It’s important to make sure that you create mobile-friendly versions of your video to cater to this growing trend. Here are some tips to make sure your video can be enjoyed by mobile users on the go.
Copyright law has been protecting the rights of writers, filmmakers, and creators since even before the birth of the US. For years, copyright holders have had all rights reserved on any original work that they created, which means they had the ability to charge money and license their original work to others without fear of anyone stealing or copying their work.
You don’t have to back that ass up, but your ass better back your films up!
In the northern hemisphere we’re at a time of year that many filmmakers dread–ice, snow, and cold weather leave many of us hibernating for the winter. Poor weather and the post-holiday duldrums often mean less projects are happening, leaving most people with a lot more freetime than they normally have. Rather than hide out in your bedroom with Netflix, this month is the perfect opportunity to make sure your backup systems are set up to keep your data organized and protected during the busy months ahead.
Last week I was at the NAB Show in Las Vegas attending Filmapalooza, the year end competition for the 48 Hour Film Project. Over 70 films from around the world were screened, all representing the Best 48 Hour Film from each of their respective cities. I had a great time watching the films, checking out the latest video gear at NAB, and of course soaking in a little bit of the Las Vegas nightlife. But the highlight of the trip for me was watching Jason Reitman speak.